Swing Low, Sweet Chariot Became A Favorite Tune Of Which College-Level Performing Group

CHAP 44: Swing Low, Sweet Chariot

Art-song arrangements of African American spirituals were an important part of which cultural movement?Harlem Renaissance
At the turn of the 1800s, camp meetings in the United States were not segregated by cultural background.true
Burleigh’s arrangement of Swing Low, Sweet Chariot calls upon jazz and blues traditions.true
Swing Low, Sweet Chariot became a favorite tune of which college-level performing group?Fisk Jubilee Singers
Swing Low, Sweet Chariot reflects which of the following traditions?Native American
European American
African American
The 1910 recording of Swing Low, Sweet Chariot by the Fisk Jubilee Singers is stored on what type of recording technology?wax cylinder
The Fisk arrangement of Swing Low, Sweet Chariot is strophic.true
The singing of spirituals offered the slave community a sense of solidarity.true
The text of Swing Low, Sweet Chariot is based on a story from what source?Bible
What scale is utilized in Swing Low, Sweet Chariot?pentatonic
When was the Harlem Renaissance?during the early part of the twentieth century
Which European composer was an early supporter of African American musical styles like the spiritual?Dvořák
Who of the following arranged spirituals for solo voice and piano?Harry T. Burleigh